Welcome to our complete guide to the best camera for wedding photography. It may be one of the most stressful and demanding genres of photography, but learning how to do wedding photography can be enjoyable and rewarding, both personally and financially. You need self-confidence to be a wedding photographer, as well as people skills, discretion, and considerable technical know-how. In addition to our recommendations for wedding cameras, our guide to the best cameras for photography across all genres covers portraits and action, both of which are essential to the wedding photographer. You’re then ready to add the right kit.
Experts on the AP review team also work as wedding photographers, so the cameras in this guide come personally recommended by professionals in the business. Every product on this list has been thoroughly tested and reviewed by our team, and we’ll never recommend a camera that we don’t believe is worth its asking price.
We’ve included some top-flight professional cameras, but also some mid-range and budget options for those who don’t have four-figure budgets. So, regardless of your level, there should be a camera here for you.
Best cameras for wedding photography at a glance:
| Specifications | Nikon Z6 III | Nikon D850 | Canon EOS R5 Mark II | Nikon Z5 II | OM System OM-1 Mark II | Fujifilm X-H2S | Sony A7R VI | Fujifilm X-S20 | Sony Alpha A1 II |
|---|---|---|---|---|---|---|---|---|---|
| Sensor | 24.5MP | 45.7MP | 45MP | 24.5MP | 20MP | 26.2MP | 66.8MP | 26.1MP | 50MP |
| Video | 6K 60p | 4K UHD | 8K 30p | 4K 60p | 4K 60p | 6K 30p | 8K 30p | 6.2K 30p | 8K 30p |
| Why choose it? | After testing the Nikon Z6III for a couple of weeks, my over-riding impression is that regardless of what you’re shooting, it’ll deliver great results. | For those who still prefer the DSLR design, the D850 is an extremely compelling alternative, especially at today’s prices. | With its 30fps shooting at 45MP and internal 8K 60p raw recording, the EOS R5 Mark II boasts a class-leading specification, even in this rarefied sector of high-speed, high-res flagships. | There are other things that make higher priced cameras better but with the Z5 II I don’t think there’s much better in the way of balance between price and performance out there. | Playing to Micro Four Thirds strengths, there’s a relatively compact camera body, IP53 weather-sealed rating, and a range of compact lenses to choose from. | The added complexity of stacked sensors accounts for the price. For the extra speed and performance, you have to pay for it. | If you want the very best possible image quality available from full-frame, coupled with a very healthy dose of speed, then just right now, this is it. | With a proven track record of exceptional image quality, the X-S20 builds on this success by providing a camera that is both highly skilled for stills as well as videography. | The A1 II really can do pretty much anything – if you don’t get the shot, there’s no blaming the camera. |
| Best for… | Most users | those who prefer DSLRs | Professionals with deep pockets | Enthusiasts on a budget | On the go photos | Pro Fujifilm fans | High-res prints | Tight budgets | Pro Sony shooters |
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Best overall for wedding photography
Nikon Z6 lll
Amateur Photographer verdict
With a whole host of improvements over its predecessor, the Nikon Z6III matches or surpasses any other camera in its class. Highlights include a fabulous new viewfinder and superb autofocus system.- Superb viewfinder and fully articulated screen
- Much improved autofocus compared to previous generations
- Super-fast continuous shooting performance
- Solid build quality and refined control layout
- Certain aspects of the user interface are starting to look dated
- Big price leap over Z6II
- Only charges from USB-C PD supplies
- Fractional step back in dynamic range compared to Z6II
Specifications at a glance:
| Specifications | Nikon Z6 III |
|---|---|
| Sensor | 24.5 MP partially-stacked full-frame CMOS sensor |
| Video | 6K 60fps raw video recording |
| ISO | ISO 100-64,000 (standard) |
| Continuous shooting | Up to 20fps shooting |
| Weight | 760g |
| Price | $2,497 / £1,999 body only |
At the very top of our list sits the Nikon Z6 III. The very recent successor to the Z6 II, oft overlooked overlooked by the cheaper full frame Z5 or the higher spec Nikon Z7 II. Yet this is a great all round camera and one any wedding photographer would enjoy shooting with.
The Nikon Z6III is a 24MP full-frame mirrorless camera designed for serious enthusiast and semi-professional photographers. It uses a brand-new ‘partially stacked’ sensor, which provides rapid readout speeds that support excellent autofocus and fast shooting.
As with its predecessor, we have a 24.5MP sensor in a very similar, if cosmetically refreshed, body design. But in fact, the Z6 III comes with exciting new sensor technology, a sensational viewfinder, and almost the same autofocus system as the Z8 and Z9, thanks to its Expeed 7 processor. These are big plusses for any wedding photographer.
Nikon has also significantly improved the Z6III’s autofocus capability, not only compared to its predecessor, but also the Zf. Its subject recognition system recognises people, animals, vehicles, and planes, with the ability to select automatically between different types. Eye-detection and tracking is also onboard.
Autofocus is specified to work in staggeringly low light of -10EV, while for the first time in the Z6 line, you also get Nikon’s 3D-tracking technology for shooting moving subjects.
Ideal for: best all rounder
Best DSLR camera for weddings
Nikon D850
Amateur Photographer verdict
The Nikon D850 is the perfect blend of high-resolution, speed and performance. It is possibly the high-water mark of DSLR design – a classic in the making.- Sensor resolves exceptionally fine detail
- Super-fast autofocus and silent shooting in Live View
- Inherits AF toggle from D500 for fast AF point positioning
- Impressive battery life
- Lacks on-chip phase detection AF in Live View
- Touchscreen doesn’t allow adjustment of key exposure settings
- SnapBridge connectivity needs improvement
Specifications at a glance:
| Specifications | Nikon D850 |
|---|---|
| Sensor | 45.7-megapixel full-frame BSI sensor |
| Video | 4K UHD Video |
| ISO | ISO 64 to 25600 (extended ISO 32 -102,400) |
| Continuous shooting | 7fps (9fps with EN-EL18b battery and MB-D18 battery pack) |
| Weight | Weight approx. 1005g with battery and card |
| Price | $2,397 / £1,699 body only |
Although mirrorless has made a massive impact on the camera market, there is still plenty of space for DSLRs, and the Nikon D850 is one we’ll happily put to the top of the pile for the best camera for wedding photography. This mighty DSLR performs superbly not only in low light but also is quick to focus and includes silent shooting in Live View mode when you need the shutter to be quiet. The 45.7 megapixel sensor does not disappoint and produces exceptionally fine detail.
In our review of the Nikon D850, we found the camera to be one of the most comfortable DSLRs out there and ideal for any photographer using it for a sustained period. This makes it the ideal choice for any wedding photographer. Now retailing at $2,397 / £1,699 (down from its launch price of £3,499), you get plenty of camera for your money.
Ideal for: DSLR shooters wanting high-resolution
Best for professional wedding photographers
Canon EOS R5 II

Amateur Photographer verdict
The Canon EOS R5 Mark II stakes a strong claim to be the best professional high-resolution, high-speed all-rounder on the market. The addition of eye control focus elevates it from its rivals, too.- Excellent handling and control layout
- Incredibly impressive subject detection AF
- Eye Control Focus enables easy subject selection
- Great image quality in both JPEG and raw
- Works seamlessly with EF DSLR lenses
- Very effective image stabilisation
- Won’t use some third-party LP-E6 batteries
- Eye control may not work well for everyone
Specifications at a glance:
| Specifications | Canon EOS R5 Mark II |
|---|---|
| Sensor | 45-million-pixel Dual Pixel CMOS AF sensor |
| Video | 8K/30P, 4K/120p, Full HD 60p video |
| ISO | ISO 100-51,200 (expandable to ISO 50-102,400) |
| Continuous shooting | 30 frames per second shooting |
| Weight | Approx. 746g with card and battery |
| Price | $5,966 / £4,399 body only |
The Canon EOS R5 Mark II, launched in August 2024, is designed to be a highly capable professional all-rounder for both photography and video. It boasts a 45MP sensor, can shoot at up to 30 frames per second, and records 8K video at 60fps. The addition of Eye Control Focus for easy subject detection gives it the edge over its competition, making it a go-to choice for wedding photographers.
At $2,399 / £2,454, this camera is one of the more expensive on our list. Think of it as a worthy and reliable investment that will deliver outstanding results if you can stretch to its price. Those who can should look through the RF-mount lenses.
Ideal for: Professionals with a big budget
Read our Canon EOS R5 II review.
Best budget wedding camera
Nikon Z5 II
Amateur Photographer verdict
A great spec sheet and very little to dislike, plus a tempting price point makes the Z5 II a fantastic all-rounder for a variety of different photographers.- Fantastic value
- Fully articulating touchscreen
- Proven sensor
- Multiple subject detection focusing
- No top-plate LCD for quick viewing of settings
- 4K 60fps video has a crop / no higher resolutions available
- Less portable/travel-friendly than APS-C or MFT rivals
Specifications at a glance:
| Specifications | Nikon Z5 II |
|---|---|
| Sensor | 24.5MP full-frame CMOS sensor |
| Video | 4K 60fps internal video recording (cropped), 4K 30fps uncropped |
| ISO | ISO 100-64000 |
| Continuous shooting | Up to 15 frames per second shooting in raw, 30fps JPEG only |
| Weight | Weight approx. 700g with battery and card |
| Price | $1696 / £1599 body only |
The Nikon Z5 II has been designed for enthusiasts who don’t have the budget for higher-priced full-frame models, including Nikon’s own Z7 II, Z8 and Z6 III, yet it inherits a lot of their features at a more affordable price. As well as the full-frame 24MP sensor that produces excellent images, it’s got a fast Expeed 7 processor for faster operational speeds when compared to the Nikon Z5, especially with autofocus. Add to that a fully articulating touchscreen, high resolution viewfinder, cleaner images at mid-range to high ISOs, dual card slots and uncropped 4K 30fps recording, and you’re getting a lot for under $1700/£1600.
Ideal for: beginners and those on a tight budget looking for full-frame
Best compact camera system for weddings
OM System OM-1 Mark II
Amateur Photographer verdict
The OM System OM-1 Mark II is a subtle evolution of the OM-1, which is already an impressive high-speed camera. This Mark II is even better – and graduated Live ND is a unique feature!- Computational photography is steps ahead of any other camera company
- Live Grad ND is impressive
- Improved buffer and improved IBIS
- Quicker access to subject detection settings
- 20MP 120/50fps continuous shooting (AF-S/AF-C)
- Weather sealed IP53 rating
- Videographers may not be totally satisfied
- Some small on-screen icons
- 4K 120fps would be nice
Specifications at a glance:
| Specifications | OM System OM-1 Mark II |
|---|---|
| Sensor | 20MP Four Thirds Stacked BSI Live MOS sensor |
| Video | C/4K 60p, Full HD 240fps |
| ISO | ISO 80-102,400 |
| Continuous shooting | 50fps with C-AF, 120fps fixed AF with extended buffer |
| Weight | 599g (with battery and memory card) |
| Price | $2,100 / £2,149 body only |
The new OM System OM-1 Mark II is the latest flagship camera from OM System, and updates the original OM-1. With high-speed continuous shooting, a weather-sealed camera body and new computational features, it could be the most advanced, best Olympus camera ever.
Advantageous to wedding photographers is its continuous shooting ability; the buffer is now double the size, allowing for up to 213 raw shots at 120fps; and up to 256 raw shots when shooting at 50fps with continuous AF. The AF system has also been improved with better tracking as well as better AF during video. Especially pertinent for wedding scenarios is the excellent subject detection auto-focus, which increase the reliability with which great shots are captured.
With the same sensor and processing as the original OM-1, the camera produces the same high image quality; extremely pleasing colours, great levels of detail, and very good dynamic range. With this come other benefits of a smaller sensor: camera size, speed, and price. It’s easy to use too (once used to the menus!), which further enhance its fitness for this genre.
Ideal for: anybody from beginner to professional with $2,100 / £2,150 to spend.
Read our Olympus OM System OM-1 Mark II review.
Best APS-C Mirrorless for weddings
Fujifilm X-H2S

Amateur Photographer verdict
A genuine high-performance, pro-spec camera, fit for sports, wildlife, and action shooting. Backed up by a range of top-class lenses, lovely to use, it’s worth its price to those who can afford it.- Super-fast shooting and responsive operation
- Great image quality in both JPEG and raw
- Effective subject-recognition autofocus
- Robust, weather-sealed build quality
- Highly customisable operation
- Highly customisable operation
- Expensive for an APS-C model
- Occasionally unresponsive touchscreen
Specifications at a glance:
| Specifications | Fujifilm X-H2S |
|---|---|
| Sensor | 26.2MP APS-C stacked BSI CMOS sensor |
| Video | 6K 30p video recording |
| ISO | ISO 160-12800 (ISO 80-51200 extended) |
| Continuous shooting | 40fps continuous shooting (electronic shutter) |
| Weight | Weight approx. 660g with battery and card |
| Price | $2,499 / £1,769 body only |
With the Fujifilm X-H2S, Fujifilm proved that there is a space for APS-C in the professional realm – and created probably the best Fujifilm camera for wedding photography in the process. Capable of burst-shooting at up to 40fps, and equipped with AI-based subject recognition autofocus, the X-H2S is a camera designed to make sure you never miss the moment.
While it’s heavy compared to the rest of the Fuji stable, the X-H2S is lighter than most of the bigger full-frame systems we’ve listed here, meaning it’s a good choice if you don’t fancy spending the entire wedding day extremely weighed down. It pairs well with Fujifilm’s excellent telephoto lenses like the XF 100-400mm. As we said in our full review of the camera, the X-H2S is one of the most capable APS-C camera ever made. Of course at $2,499 / £2,499, it’s also among the most expensive.
If the X-H2S is too expensive, consider an earlier Fujifilm model like the X-T4. While it doesn’t have the stacked sensor design that allows the X-H2S to achieve such dizzying speeds, the X-T4 is still a highly capable camera.
Ideal for: pros conscious of size and weight
Read our Fujifilm X-H2S review.
Best high-resolution camera for weddings
Sony Alpha A7R VI
Amateur Photographer verdict
The Sony Alpha A7R VI sets a new bar for high-resolution full-frame, with its 66.8MP sensor and 30 frames per second shooting. It’s an immensely capable camera, but it does have some drawbacks too.- Superb image quality, with highest resolution yet from a full-frame camera
- Super-fast autofocus and continuous shooting
- Class-leading blackout-free viewfinder and extremely versatile screen articulation
- Much-improved handgrip makes the camera noticeably more comfortable to use
- No plug-in cable release option
- Autofocus appears to be a little less reliable with bright white subjects
- Not compatible with existing batteries, chargers or vertical grips
Specifications at a glance:
| Specifications | Sony Alpha A7R VI |
|---|---|
| Sensor | 66.8MP full-frame sensor |
| Video | 8K 30fps video |
| ISO | ISO 100-32,000 (standard) |
| Continuous shooting | Up to 30fps shooting |
| Weight | 713g inc battery and card |
| Price | $4500 / £4500 body-only |
If having a high-resolution full frame image sensor is at the top of your priority list then the Sony A7R VI should be on your radar. Its 66.8MP sensor gives 9984 x 6656-pixel images, which equates to a roughly 33 × 22inch print at a 300ppi output resolution – that’s massive!
In late May this year, we gave the Sony A7R VI a whopping 5 out of 5 stars in our review and for good reason. We found it exceeded expectations when it came to image quality and was jam packed full of features.
The Sony A7R VI is the newest in the A7R series and is built for photographers who want maximum resolution and image detail. With subject-detection autofocus and an AI processing unit, it recognises and locks onto humans, animals, vehicles and more. The up/down tilting mechanism and a fully articulating side hinge make it extremely versatile for shooting at different angles, and the in-body image stabilisation is rated for up to 8.5 stops of effective compensation in CIPA testing. It has an overall hugely impressive spec list, with a price tag to match, which is why it also holds a firm position in the premium camera market.
This camera will not disappoint, although at $4500 / £4500, it does not come cheap. If large images (and the associated large files sizes, and storage requirements) are likely to be an issue for your computer, then you may want to consider something with a lower-resolution sensor.
Ideal for: those wanting to print large images, or crop into images
Read our Sony Alpha A7R VI review.
Best budget camera for weddings
Fujifilm X-S20
Amateur Photographer verdict
With fantastic video performance, a great set of video features, and excellent stills photography, the X-S20 is a versatile and impressive all-rounder – marred only by its small EV.- Great image quality
- Advanced AI subject-detection AF system
- Advanced video options (up to 6.2K)
- 3.5mm headphone and microphone sockets
- Excellent battery life
- Small electronic viewfinder and eyecup
- Expensive (though justified)
Specifications at a glance:
| Specifications | Fujifilm X-S20 |
|---|---|
| Sensor | 26.1MP sensor |
| Video | 6.2K 30p video |
| ISO | ISO 160 – 12,800 (standard), ISO 80 – ISO 51,200 (extended) |
| Continuous shooting | 30 fps shooting |
| Weight | 491g with battery and memory card |
| Price | $1,299 / £1,029 body only |
The Fujifilm X-S20 is an even better fit than its predecessor, the X-S10 and is well worth consideration.
The same 26.1MP backside-illuminated (BSI) X-Trans CMOS 4 sensor as the popular Fujifilm X-T4, is paired with the X-Processor 5 for improved power efficiency and all-round performance improvement. The upshot is enhanced image quality and reduced noise at high ISO settings. Significantly, it also enables the AI-based subject detection AF system.
A real boon over its predecessor is the improved battery life: up to 750 shots (normal), 800 shots (economy mode).
Have a look at the best X-Mount lenses to see what your total cost is likely to be.
Ideal for: fashion conscious shooters
Read our Fujifilm X-S20 review.
Best hybrid for video, action and more
Sony Alpha A1 II

Amateur Photographer verdict
There’s no doubt the Sony Alpha A1 II is one of the most capable cameras we’ve yet seen, with its high resolution, rapid shooting, and superb autofocus. It’s expensive, but can handle almost any task.- Impressive image quality
- Rapid shooting speeds
- Superb viewfinder and screen
- Excellent autofocus system
- Auto subject-detection option (finally)
- Over-complicated autofocus setup
- Very expensive
Specifications at a glance:
| Specifications | Sony Alpha A1 II |
|---|---|
| Sensor | 50MP full-frame stacked-CMOS sensor |
| Video | 8K 30p, 4K 120p video recording |
| ISO | ISO 100-32,000, ISO 50-102,400 extended |
| Continuous shooting | 30 frames per second shooting |
| Weight | 743g |
| Price | $6,998 / £6,300 body-only |
Yes, it costs a lot of money, but with a 30fps shooting burst mode feature, 50.1MP image sensor and 9.44m-dot electronic viewfinder (EVF), the Sony A1 II had to make it onto our list! In our review of the Sony A1 II, we stated, “There’s no doubt that the Alpha A1 II is the best camera Sony has ever made…capable of handling pretty much anything you might ask of it. Whether you shoot sports, wildlife, portraits, weddings, landscapes or events, it’s got you covered.” Oh, and it records 8K video, too!
The Sony A1 II also performs incredibly well in low-light. At low sensitivities, the A1 II’s 50MP sensor delivers exceptional levels of detail. This is well maintained even up to moderately high ISOs, with very little visible loss of quality at ISO 1600.
Like the Sony A7R IV listed above, some may feel the image sensor resolution is a little high and be worried about storage space, which is understandable when shooting a wedding. However, the Sony A1 II is a magnificent camera and one that will deal with whatever scenarios are thrown at it, making it worth the money if you can afford it.
Ideal for: action, video and whatever else you can throw at it
Read our Sony Alpha A1 II review.
Specifications compared:
| Specifications | Nikon Z6 III | Nikon D850 | Canon EOS R5 Mark II | Nikon Z5 II | OM System OM-1 Mark II | Fujifilm X-H2S | Sony Alpha A7R VI | Fujifilm X-S20 | Sony Alpha A1 II |
|---|---|---|---|---|---|---|---|---|---|
| Sensor | 24.5 MP partially-stacked full-frame CMOS sensor | 45.7-megapixel full-frame BSI sensor | 45-million-pixel Dual Pixel CMOS AF sensor | 24.5MP full-frame CMOS sensor | 20MP Four Thirds Stacked BSI Live MOS sensor | 26.2MP APS-C stacked BSI CMOS sensor | 66.8MP full-frame sensor | 26.1MP sensor | 50MP full-frame stacked-CMOS sensor |
| Video | 6K 60fps raw video recording | 4K UHD Video | 8K/30P, 4K/120p, Full HD 60p video | 4K 60fps internal video recording (cropped), 4K 30fps uncropped | C/4K 60p, Full HD 240fps | 6K 30p video recording | 8K 30fps video | 6.2K 30p video | 8K 30p, 4K 120p video recording |
| ISO | ISO 100-64,000 (standard) | ISO 64 to 25600 (extended ISO 32 -102,400) | ISO 100-51,200 (expandable to ISO 50-102,400) | ISO 100-64000 | ISO 80-102,400 | ISO 160-12800 (ISO 80-51200 extended) | ISO 100-32,000 (standard) | ISO 160 – 12,800 (standard), ISO 80 – ISO 51,200 (extended) | ISO 100-32,000, ISO 50-102,400 extended |
| Continuous shooting | Up to 20fps shooting | 7fps (9fps with EN-EL18b battery and MB-D18 battery pack) | 30 frames per second shooting | Up to 15 frames per second shooting in raw, 30fps JPEG only | 50fps with C-AF, 120fps fixed AF with extended buffer | 40fps continuous shooting (electronic shutter) | Up to 30fps shooting | 30 fps shooting | 30 frames per second shooting |
| Weight | 760g | Weight approx. 1005g with battery and card | Approx. 746g with card and battery | Weight approx. 700g with battery and card | 599g (with battery and memory card) | Weight approx. 660g with battery and card | 713g inc battery and card | 491g with battery and memory card | 743g |
| Price | $2,497 / £1,999 body only | $2,397 / £1,699 body only | $5,966 / £4,399 body only | $1696 / £1599 body only | $2,100 / £2,149 body only | $2,499 / £1,769 body only | $4500 / £4500 body-only | $1,299 / £1,029 body only | $6,998 / £6,300 body-only |
How to choose a camera for wedding photography
There are several considerations to choosing a camera for wedding photography. These include: camera type, sensor type and size, low-light capabilities, burst mode feature, video quality, and also overall build considering weight and weather protection.
We’ve gone into these in a little more detail below…

Camera type – mirrorless or DSLR?
To photograph weddings you’ll need a camera with an interchangeable lens system. On the market at the moment your main options to choose between are mirrorless or DSLR systems. Medium format is another type of camera; however these are very expensive and tend to produce very large image files.
Image sensor size is a serious matter for contemplation – a very large image sensor can be a disadvantage for a wedding because you’ll be snap-happy so as not to miss a shot, and it costs money to store images. The other side of the coin is that a higher-resolution image sensor means bigger final prints for your clients. You’ll have to weigh up your needs here.
The main advantages of choosing a mirrorless system over a DSLR are their weight and size. Mirrorless tend to be much lighter and more compact, plus you also have the option to shoot silently on the mirrorless models (some DSLRs do in Live View Mode), which in the middle of a quiet wedding ceremony will help you blend seamlessly into the background.
It’s also finally worth noting the difference in battery life. DSLRs use much less power than mirrorless, so an additional battery grip could be worth the investment (or several spare batteries) if you choose a mirrorless.
You can read our full guide to DSLR vs mirrorless cameras to dive deeper into this topic.
Full frame vs APS-C
The next aspect you’ll want to consider is the type of image sensor you want for your camera. The options are APS-C or Full Frame. There are distinct advantages to a Full Frame sensor; for one, they produce a shallower depth of field compared with APS-C at the same aperture setting, for those dreamy bokeh wedding images. The other advantage to shooting with a Full Frame sensor is that they tend to perform better in lowlight due to having larger photosites than APS-C. This enables them to capture proportionally more light with less noise. That’s not to say APS-C cameras are undesirable to the wedding photographer as many models can be lighter, and cheaper, which for many will be a draw.
See our guide to APS-C vs full-frame for a more detailed rundown.
Low light capabilities
To shoot a wedding you need to know your camera can perform well in low light. During the ceremony, and into the evening when light fades, external lighting will often not be viable, and you’ll need to rely on those higher ISO settings to get you through. Cameras are performing better and better in this regard. Look for what ISO range your camera comes with, so you know how far you can push it.
Another feature that most modern mirrorless cameras support these days is IBIS – in-body image stabilisation. Again, for any wedding photographer, this is going to appeal in those low-light situations, so look out for this.

Burst mode shooting
At a wedding, there is always action to be captured. Whether this is the bride throwing the bouquet, the first dance, or the cutting and eating of the cake! For this reason, checking what burst mode feature your camera is capable of shooting at is a must. Preferably around 7fps or faster is desirable but not essential if you are a good photographer!

Video?
You may have no interest in video, but given that all modern cameras offer it, you would do well to at least be aware of the video capabilities of your camera. Being able to add a little video into your offering for a client can be a nice way to make yourself stand out from the crowd and given that many cameras offer seamless switching between photo and video modes, it can be quite simple to achieve. However, make sure you know how to edit video, as this can be quite time-consuming.
Have a look at our guide to video editing!
Weight
When shooting a wedding, you are going to be using your camera for a long time. You’re going to have it around your neck all day, and have to keep hands on it to make sure you’re always ready to get the shot. With that in mind, it pays to check the physical weight of a camera before hitting the “buy” button. It’s paramount to make sure you get something you’ll be able to carry for long periods without issue. Getting the right camera bag can go a long way to helping you stay comfortable all day.
Build quality and weather sealing
Finally, take into account the camera’s build and weatherproof features. Shooting a wedding is a physical and potentially hazardous undertaking. You have to work quickly and run around to get into position, making the chances of an occasional knock of your kit more likely. A sturdy body build will give you better peace of mind when out in the field. Also, as the weather is never guaranteed, you’ll be grateful if your camera comes with a weather-sealed body so it can handle unpredictable conditions.
More wedding tips, tricks and guides: 10 shots you must get at a wedding, plus check out our Complete Guide to Wedding Photography.
Have a look at our latest buying guides, and reviews for more options.
How we test cameras
We test cameras by taking photographs and video in a wide range of real-world situations. We evaluate their control layouts, handling, and the usability of their viewfinders and screens. We assess their autofocus across a range of different subjects and shooting scenarios and test a camera’s continuous shooting capacity.
We also examine the effectiveness of image stabilisation systems. Last but not least, we critically evaluate the image quality in both JPEG and raw, including resolution, high-ISO noise, and dynamic range. For our final conclusion and score, we take all these factors into account, along with portability and lens systems. You’ll find the full breakdown of how each camera has performed in our full reviews
Recent updates:
- May 2026: Sony A7R V replaced by new Sony A7R VI. Nikon Z6 III moved to the top as the best camera for wedding photography overall. Specifications tables updated.








