February 24, 2025
High-end Sigma 300-600mm F4 DG OS Sports ultra-telephoto zoom
Sigma claims prime-level image quality plus constant f/4 maximum aperture with the new 300-600mm telephoto zoom lens.
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Andy Westlake
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February 24, 2025
New 18.8x all-in-one super zoom Sigma 16-300mm F3.5-6.7 for APS-C
Massive 18.8x wideangle to ultra-telephoto range, plus close-up shooting, could make this the best superzoom lens yet
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February 20, 2025
Nikon Z9 review – Nikon’s flagship professional camera
The Nikon Z9 flagship sets new standards for full-frame mirrorless cameras. In his extensive review, AP's technical editor Andy Westlake reckons it could be the best camera money can buy. Read on for his verdict
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February 18, 2025
Leica SL3-S review – sometimes the red dot isn’t enough
Leica’s full-frame mirrorless model gains a 24MP version with faster shooting and a greater focus on video. Andy Westlake tries it out
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February 11, 2025
Hahnel ProCube3 Twin Charger review – the BEST camera battery charger?
This high-end dual charger for camera batteries is versatile and FAST
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February 9, 2025
Feelworld F6 Plus 5.5in field monitor review
Andy Westlake reviews an inexpensive add-on HDMI screen for your camera
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February 8, 2025
Sony Alpha A7C II review – Full-frame both great and small
Sony’s 33MP compact full-frame mirrorless camera employs the same sensor as the A7 IV while adding the firm’s latest technology. Andy Westlake sees how it performs.
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February 6, 2025
Stylish, creative OM System OM-3 revealed – read our full review!
OM System has wrapped up most of the technology of the flagship OM-1 Mark II in a stylish retro body
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February 6, 2025
Updated OM System 17mm F1.8 II and 25mm F1.8 II optics
Revised ultra-compact Micro Four Thirds primes gain weather-sealed construction
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February 6, 2025
Revamped OM System 100-400mm F5-6.3 IS II super-telephoto zoom
New version of 200-800mm equivalent zoom boasts IPX1 rating and removable tripod mount
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February 6, 2025
OM System OM-3 review: I love this camera!
It looks fabulous and boasts cutting-edge computational photography features, but is the OM-3 more style than substance? Andy Westlake finds out
