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Results for sony full-frame mirrorless

  1. 10 years of Sony A7 – the camera that killed the DSLR

    Ten years ago, Sony launched the Alpha A7 and A7R, the vanguard of a mirrorless revolution that would change the camera market forever

  2. Sony FE 40mm F2.5 G review

    Richard Sibley takes a look at the most curious of Sony’s three compact fixed focal length lenses, the Sony FE 40mm F2.5 G.

  3. Sony FE 24-70mm F2.8 GM II Review

    It's smaller, lighter and promises exceptional image quality. Richard Sibley discovers if the new Sony standard zoom sets new standards

  4. Sony Vario-Tessar T* FE 24-70mm F4 ZA OSS review

    The Sony FE 24-70mm F4 zoom boasts Zeiss optics so it is bound to be on the wish list of many full-frame owners. We find out whether the performance of the lens justifies its appeal

  5. Sony FE 20mm F1.8 G review

    Does the Sony FE 20mm F1.8 G fast wide-angle prime lens meet the high expectations of Sony E-mount users? Find out in our comprehensive review

  6. Sony FE 16-35mm F2.8 GM II review

    Sony’s updated premium wideangle zoom promises high-end optics in a compact package, but does it deliver? Andy Westlake takes a close look in our Sony FE 16-35mm F2.8 GM II review

  7. Tamron 17-50mm F/4 for Sony E-mount here next month

    Sony E mount users seem to be spoiled for choice at the moment, and there's now the Tamron 17-50mm F/4 Di III VXD coming onto the market in the UK and Ireland

  8. Sony FE 70-200mm F2.8 GM OSS II review

    The Sony FE 70-200mm F2.8 GM OSS II is a remarkable, fast aperture and lightweight telezoom ideal for a range of photo genres, but at $2,800 / £2,600, can it justify its hefty price tag?…

  9. Sony FE 135mm F1.8 GM review

    Sony has made a truly stunning, super-fast portrait lens, but it comes at a hefty price, says Andy Westlake in our Sony FE 135mm F1.8 GM review.

  10. Sony FE 90mm F2.8 Macro G OSS review

    It was the first dedicated macro lens for Sony’s full-frame E-mount cameras, but just how good is the Sony FE 90mm F2.8 Macro G OSS lens? Richard Sibley takes a very close look

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