Overall, the best type of lens for landscape photography is a wide-angle zoom. That’s not to say the only type. Landscape photography is a varied discipline, and plenty of great images in the genre are made on primes and telephotos, too. However, a wide-angle zoom is both the ideal lens for a landscape beginner, and that which a landscape veteran will reach for most often. So, they are our main focus for this guide.

A wide-angle lens allows you to fit as much of the landscape into the frame as possible – ideal for capturing sweeping vistas and dramatic skies. Why a zoom and not a prime? Mostly because of the compositional flexibility – landscape imaging generally involves shooting at distance, and is less practical to reframe by moving your feet than it is with subjects that are closer to the camera. Also, the larger apertures of prime lenses aren’t as useful for landscape shooting, as you’ll likely be stopping down to maximise sharpness and depth of field.

Wide-angle zooms have other uses too – they’re great for wedding and event photography, architecture shots (interior and exterior) and real-estate photography, and also provide a number of advantages for astrophotography. At the bottom of this page are further applications for wide-angle zooms; as well as information about how we tested these lenses, and our key criteria for choosing the best ones.

Read on as we run through the best landscape lenses for every major system and lens mount – and don’t forget to check out our guide to the best cameras for landscape photography.

The best lenses for landscape photography: quick list

For a quick-reference guide, here is the full list of lenses we’ve included in this piece, along with links to pick them up for the best prices…

Best landscape lenses for DSLRs:

  • Best Canon APS-C landscape lens: Canon EF-S 10-22mm f/3.5-4.5 USM – buy now
  • Best Canon DSLR landscape lens: Canon EF 11-24mm f/4L USM – buy now
  • Best Nikon DSLR landscape lens: Nikon AF-S 16-35mm f/4G ED VR – buy now
  • Best Pentax landscape lens: Pentax DA* HD 11-18mm f/2.8 ED DC AW – buy now
  • Best APS-C DSLR landscape lens: Tokina Atx-I 11-20mm F2.8 CF – buy now

Best mirrorless landscape lenses:

  • Best RF-mount landscape lens: Canon RF 14-35mm f/4 L IS USM – buy now
  • Best Nikon Z landscape lens: Nikon Z 14-30mm f/4 S – buy now
  • Best professional Nikon Z landscape lens: Nikon Z 14-24mm f/2.8 S – buy now
  • Best Sony landscape photography lens: Sony FE 12-24mm F4 G – buy now
  • Best L-mount landscape lens: Sigma 16-28mm f/2.8 DG DN C – buy now
  • Best Sony APS-C landscape lens: Sony E 10-18mm F4 OSS – buy now
  • Best Fujifilm landscape lens: Fujifilm XF 10-24mm F4 R OIS WR – buy now
  • Best Micro Four Thirds landscape lens: Panasonic 8-18mm f/2.8-4 ASPH Vario – buy now
  • Best Olympus landscape lens: Olympus M.Zuiko Digital ED 7-14mm f/2.8 PRO – buy now
  • Best mirrorless APS-C landscape lens: Tamron 11-20mm f/2.8 Di III-A RXD – buy now

Read on to learn more about each of these lenses as we count off the best lenses for landscape photography…

Best landscape lenses for DSLRs

DSLR users have an absolutely huge range of wide-angle zooms to choose from – to the point where we could only include a small selection in this section of the guide! Whether you’re shooting on Canon, Nikon or Pentax DSLRs, you’ll be spoiled for choice, with legacy lenses and newer updated versions plentifully available both new and second-hand. Also, if you’re shooting with Canon RF or Nikon Z mirrorless cameras, remember that all of these lenses can be adapted to work on your EOS R or Z body, usually with full electronic functionality.

Best Canon APS-C landscape lens: Canon EF-S 10-22mm f/3.5-4.5 USM

The Canon EF-S 10-22mm f/3.5-4.5 USM. Photo credit: Canon/AP

At a glance:

  • Construction: 13 elements, 10 groups
  • Weight: 385g
  • Mount: Canon EF-S
  • Street price: £484 / $601

This wide-angle zoom is designed for Canon cameras with an APS-C sensor, like the Canon EOS 90D or EOS 250D. It gives a view similar to a 16-35mm lens on a full-frame body, so there’s plenty of options for big scenes. And being made to be compact and lightweight at only 83.5×89.8mm and 385g, it’s a great choice for landscape photographers who’re doing extensive hiking.

This doesn’t come at the expense of image quality though, with the lens using a Super Spectra coatings that combats ghosting and flare to keep images clear and contrasty. As a bonus, its minimum focusing distance of 24cm means you can achieve sumptuous foreground textures.

There are many secondhand examples of the lens available. Expect to pay in the region of £175 for one in good used condition or slightly more for an even better example.


  • Compact and lightweight
  • Very good contrast and sharpness
  • Close focusing distance


  • Not weather sealed

Best Canon full-frame landscape lens: Canon EF 11-24mm f/4L USM

The striking feature of the EF 11-24mm f/4L USM is the bulbous front element. Photo credit: AP

At a glance:

  • Construction: 16 elements in 11 groups
  • Weight: 1,180g
  • Mount: Canon EF
  • Street price: £3,099 / $2,899

This is the world’s widest rectilinear zoom lens – meaning it renders straight lines to appear straight, unlike a fisheye which will curve them. The Canon EF 11-24mm f/4L USM is an outstanding achievement for how much it can cram into a frame. There really isn’t a lens to match it, in or out of the Canon realm. The image quality is absolutely sublime, and the build of the lens as solid as you’d expect from an L-series optic. And while that bulbous front element precludes the attachment of screw-in filters, it is possible to drop in rear filters via a dedicated adapter from LEE Filters.

Of course, that will add to the already considerable outlay you’ll incur for the Canon EF 11-24mm f/4L USM. There’s no sugar-coating it – this is an expensive lens. The fact that it’s such a unique proposition is likely why it has so stubbornly held onto its high price in all the years since its release. With that said, if your budget stretches this far, the Canon EF 11-24mm f/4L USM really is worth it. And not just for Canon DSLR users – there isn’t an equivalent to this lens in the RF range, so EOS R users should definitely consider adapting it (though again, that’ll cost you). If it’s too much, consider the Canon EF 16-35mm f/4L IS USM. It’s still expensive, but you know, less so.


  • One-of-a-kind rectilinear wide-angle
  • Exceptional build quality
  • Can take rear filters via adapter
  • Truly remarkable image quality


  • Very expensive

To find out more about how the lens performs, read our Canon EF 11-24mm f/4L USM review.

Best Nikon DSLR landscape lens: Nikon AF-S 16-35mm f/4G ED VR

Nikon AF-S 16-35mm f/4G ED VR. Photo credit: Nikon/AP

At a glance:

  • Construction: 17 elements, 12 groups
  • Weight: 680g
  • Mount: Nikon F (FX)
  • Street price: £1,149 / $1,428

Launched over a decade ago, this full-frame (FX) lens is still a superb landscape option. It was the world’s first ultra wide-angle zoom to offer optical stabilisation and is rated at four stops, so very useful in a handheld squeeze, while the f/4 aperture is constant throughout the zoom.

The lens provides excellent sharpness and distortion free images thanks to its three aspherical and two extra-low dispersion elements, while Nikon’s legendary Nano Crystal Coating ensures superb clarity.

It also has a nine bladed diaphragm which is rounded to give softer and more natural rendering to landscape details and highlights, and at 680g and 82.5x125mm it can save size and weight in a backpack compared to the faster but larger, heavier and more expensive 14-24mm f/2.8. And still offers great build and weather sealing.


  • Lovely nine-blade diaphragm
  • Very good image quality
  • Optical stabilisation


  • Sharper lenses have come out since

Best Pentax landscape lens: Pentax DA* HD 11-18mm f/2.8 ED DC AW

Pentax DA* HD 11-18mm f/2.8 ED DC AW. Photo credit: Ricoh/AP

At a glance:

  • Construction: 16 elements, 11 groups
  • Weight: 704g
  • Mount: Pentax K
  • Street price: £1,199 / $1,490

Pentax produces some great lightweight DSLRs for landscaping and models like the K-3 Mark III have superb weather sealing. To match, check out the DA* HD 11-18mm f/2.8 ED DC AW, with its dustproof, weather-resistant construction letting you keep on shooting in atmospheric rain or mist, or close to water without worry.

Its ultra-wide view gives an equivalent 17-27.5mm and despite having a fast f/2.8 aperture it comes in at a reasonable 704g and 90x100mm, keeping load reasonable. It also has a very handy Focus Clamp mechanism which lets users lock the point of focus for multiple exposures, bracketing or starlit scenes.


  • Tough build
  • Fairly light
  • Useful focus clamp


  • Soft in the corners
  • One of the pricier Pentax lenses

Best APS-C DSLR landscape lens: Tokina Atx-I 11-20mm F2.8 CF

Tokina Atx-I 11-20mm F2.8 CF. Photo credit: Tokina/AP

At a glance:

  • Construction: 14 elements, 12 groups
  • Weight: 570g
  • Mounts: Canon EF-S, Nikon F (DX)
  • Street price: £569 / $707

This ultra-wide zoom for APS-C bodies is available in Canon EF-S and Nikon F mounts, and with a constant maximum aperture of f/2.8 it’s a great tool for low-light landscape work, including Milky Way shots and aurora shots, or for general scenes, too.

The focal lengths make it versatile, while it uses three aspherical and three super-low dispersion elements to provide edge-to-edge sharpness and excellent contrast.

The 28cm minimum focus isn’t as close as some, but it takes front filters, with an 82mm size, and has an internal focusing design, so the front element won’t rotate, which is helpful while using a polariser or holder.


  • Very good sharpness and contrast
  • Internal focusing mechanism
  • Great in low light


  • Requires big (read: expensive) filters
  • Longer close focus distance


Best landscape lenses for mirrorless

Regardless of which mirrorless system you use, there are plenty of excellent wide-angle zooms well-suited to landscape shooting. We’ve aimed to cover a broad mix in this section, with options for both full-frame and APS-C sensors, as well as budget-friendly choices. Remember that for landscape shooting we don’t need a fast constant aperture like f/2.8, and can potentially save some cash by opting for a cheaper lens.

Best RF-mount landscape lens: Canon RF 14-35mm f/4 L IS USM

Canon RF 14-35mm f/4 L IS USM. Photo credit: Canon/AP

At a glance:

  • Construction: 16 elements, 12 groups
  • Weight: 540g
  • Mounts: Canon RF
  • Street price: £1,749 / $2,174

If you’ve moved to Canon’s stunning RF-mount cameras and want a lightweight full frame wide-angle zoom, look no further than the RF 14-35mm f4 L IS USM; a lens that really shows the benefits of the new system. The 14mm end adds incredible drama to landscapes, but step into the zoom and there’s plenty of scope for tighter framing.

With a constant f/4 aperture, it still has low-light potential, while the optical construction is exemplary with three aspherical and three ultra-low dispersion elements giving superb sharpness and distortion control.

For working handheld, there’s a highly effective 5.5-stop Image Stabilizer that will increase to a heady 7 stops when fitted to a EOS-R camera with IBIS. Weighing 540g and measuring 84.1×99.8mm it’s highly portable and weather sealed, too. Those with a higher budget may also want to consider the Canon RF 15-35mm f/2.8L IS, though be warned this lens is more expensive and heavier than the 14-35mm. It’s worth it if you’re doing astro or night work, but for most landscapes, the 14-35mm is the more balanced and better choice.

For more Canon RF-mount lens options, take a read of our Best Canon RF mount lenses article.


  • Very effective stabilisation
  • Weather sealed
  • Superb sharpness


  • Expensive

See more details on the Canon RF 14-35mm f/4 L IS USM

Best Nikon Z landscape lens: Nikon Z 14-30mm f/4 S

The Nikon Z 14-30mm f4 S is one of Nikon’s premium wide-angles. Photo credit: Amy Davies

At a glance:

  • Construction: 14 elements, 12 groups
  • Weight: 485g
  • Mount: Nikon Z
  • Street price: £1,169 / $1,453

Perfectly illustrating the appeal of Nikon’s excellent mirrorless Z Series, the Nikon Z 14-30mm f/4 S brings superb image quality in a package that’s far smaller and lighter than its FX forebears. It weighs only 485g, measures 89x85mm thanks to a retracting design and is the widest Nikon full frame lens to allow screw-on filters, taking 82mm models.

As one of the Z Series’ S line it also has top-notch optics, with no less than four extra-low dispersion and four aspherical elements, plus Nikon’s anti-reflective Nano Crystal Coat.

There’s no optical image stabilisation, but all the full-frame Z cameras have that in the body, keeping the lens’s footprint even smaller. And if you’re shooting landscapes in harsh conditions or poor weather, it’s weather sealed against drips and dust.

For more Nikon Z mount lens options, take a read of our best Z Mount lenses for Nikon guide.


  • Excellent optical quality
  • Weather sealed
  • Allows screw-on filters


  • Some noticeable vignetting

Read our review of the Nikon Z 14-30mm f/4  

Best professional Nikon Z landscape lens: Nikon Z 14-24mm f/2.8 S

Nikkor Z 14-24mm f/2.8 S with Z7, Photo: Michael Topham / AP

At a glance:

  • Construction: 16 elements, 11 groups
  • Weight: 650g
  • Mount: Nikon Z
  • Street price: £2,319 / $2,883

If you’re looking for the best of the best and are less concerned with cost-saving, then the Nikon Z 14-24mm f/2.8 S should be right up your alley. The ‘S’ designation means it’s a premium Z-mount lens, designed for serious enthusiast and professional users who don’t want to compromise on optical quality. And as such, it delivers – in our review, we found the Nikkor Z 14-24mm f/2.8 S to be capable of producing images with absolutely stunning sharpness, in a range of situations.

What’s more, it’s both lighter and more compact than pairing the Nikon AF-S 14-24mm f2.8 G with an adapter, making it a good excuse for Z-mount users to go all in and opt for the native lens. While there is some distortion evident if you leave it uncorrected, there’s no reason you ever would leave it uncorrected, with Nikon’s automatic correction profiles ready and able to swoop in and take care of matters.

If you’re a Nikon user and want to find out much more about Nikon Z-mount lenses, take a read of our Best Z Mount lenses for Nikon article.


  • Exceptional image quality
  • Lighter than F-mount equivalent
  • Customisable control ring


  • Very expensive
  • Control ring can be over-sensitive

Read our review of the Nikon Z 14-24mm f/2.8 S

Best Sony landscape photography lens: Sony FE 12-24mm F4 G

Sony FE 12-24mm F4 G ultra wide-angle zoom lens for Sony’s full-frame mirrorless Alpha 7-series and Alpha 9 cameras

At a glance:

  • Construction: 17 elements, 13 groups
  • Weight: 565g
  • Mount: Sony FE
  • Street price: £1,399 / $1,739

Offering the widest view of any Sony full-frame wide-angle zooms, you might expect the FЕ 12-24mm F4 G to be big and heavy, but not a bit of it. Like Sony’s exemplary Alpha cameras this is a lens built with a low profile, but still offers peak quality via its four aspherical, one super extra-low dispersion and three extra-low dispersion elements, plus a Nano AR coating to suppress reflections.

It won’t take front filters, so an adapter holder is required, and though there’s no optical image stabilisation, that comes as standard in the Alpha bodies. The f/4 aperture brings some starry-sky possibilities, and at 565g and 87х117.4mm it’s a great option when space is tight, while its all-weather construction means you can keep shooting in some pretty foul conditions.


  • Incredibly compact for its type
  • All-weather construction
  • Excellent image quality


  • Won’t take filters

Read our review of the Sony FE 12-24mm F4 G lens

Best L-mount landscape lens: Sigma 16-28mm f/2.8 DG DN C

The Sigma 16-28mm f/2.8 DG DN C on test. Photo credit: Joshua Waller

At a glance:

  • Construction: 16 elements, 11 groups
  • Weight: 450g
  • Mount: L
  • Street price: £749 / $931

Designed for full-frame Sony E-mount and L-mount cameras, the 16-28mm f/2.8 DG DN C is an exceptionally small, light, fast and versatile wide-angle zoom.

It promises very low distortion and edge-to-edge sharpness, via five FLD and four aspherical lens elements, and uses an internal zoom mechanism, there’s no extension of the front element, perfect for use with polarising filters or holders.

It takes an affordable 72mm fit for filters. The lens is backpack ready at just 100.6mm long and weighs only 450g, while offering dust and splash resistance. We reviewed this lens recently, and were impressed more than anything by the sheer value for money it offers. Landscape shooters using L-mount or full-frame E-mount cameras really should give this lens serious consideration. Its sharpness is great right across the frame, and it’s physically well-balanced, too.


  • Excellent value
  • Lightweight and portable
  • Very good sharpness


  • No aperture ring
  • Not fully weather sealed

Read our full Sigma 16-28mm f/2.8 DG DN C review

Best Sony APS-C landscape lens: Sony E 10-18mm F4 OSS

Sony E 10-18mm F4 OSS. Photo credit: Sony/AP

At a glance:

  • Construction: 18 elements, 8 groups
  • Weight: 225g
  • Mount: Sony E
  • Street price: £599 / $744

If you shoot landscapes on a Sony mirrorless camera with an APS-C format sensor like the A6400 or A5100, you’ll want an equally small, lightweight but dependable wide-angle zoom. The 10-18mm F4 OSS is just that, offering a streamlined design that’s still weather sealed. At 225g and 70х63.5mm it’s genuinely pocket sized, so can be brought along as the accompaniment to a standard zoom, and it takes 62mm filters and adapter rings, which keeps space – and cost – down, too.

Its constant aperture means shutter speed and ISO can be kept consistent across the 15-27mm equivalent range, perfect for manual working, and it has a four-stop optical stabiliser for hasty handheld landscapes if required.


  • Very small and light
  • Constant f/4 aperture
  • Four-stop stabiliser


  • Not weather sealed
  • Corner sharpness so-so

Best Fujifilm landscape lens: Fujifilm XF 10-24mm F4 R OIS WR

The Fujinon XF 10-24mm F4 R OIS WR is an impressive lens. Photo credit: Michael Topham

At a glance:

  • Construction: 14 elements, 10 groups
  • Weight: 385g
  • Mount: Fujifilm X
  • Street price: £949 / $1,179

Recently updated to include weather sealing, an upgraded aperture ring and more effective stabilisation, the XF10-24mm F4 R OIS WR is our pick of wide-angle zooms for X Series landscapers.

With an equivalent view of 15-36mm it’s a highly versatile package and gives a constant f/4 aperture across the range. The updated aperture ring has a lock to prevent accidental shifts in the diaphragm, while it Optical Image Stabilizer gets an additional stop over the previous 10-24mm model, and will go higher with IBIS-equipped X Series bodies like the X-T4 and X-H2S.

At 77.6х87mm and 385g it’s highly portable, but that doesn’t mean any compromise in optical quality with four aѕрhеrісаl and four extra-low dispersion elements. While this is a fairly minor upgrade on the previous version of this lens, as we pointed out in our review, landscape photographers will appreciate the addition of weather-sealing, which justifies the extra cost outlay.


  • Weather sealed
  • Excellent image quality
  • Optical Image Stabilizer


  • On the pricey side
  • Low frequency clicking of the diaphragm blades

Read our Fujifilm XF 10-24mm F4 R OIS WR review

Best Micro Four Thirds landscape lens: Panasonic 8-18mm f/2.8-4 ASPH Vario

Panasonic 8-18mm f/2.8-4 ASPH Vario. Photo credit: Panasonic/AP

At a glance:

  • Construction: 15 elements, 10 groups
  • Weight: 315g
  • Mount: Micro Four Thirds
  • Street price: £899 / $1,117

Covering a range of 16-36mm in old money (a.k.a. in full-frame 35mm terms), the Panasonic 8-18mm f/2.8-4 gives some superb low-light landscape options for Micro Four Thirds shooters, while sticking to all the things that make the format so attractive for adventure photography.

At 315g and 73x88mm it’s bag or pocket friendly, but also weather sealed. The lens has an optical construction of 15 elements іn 10 groups with one aspherical extra-low dispersion, three regular аѕрhеrісаl, two extra-low dispersion and one ultra-high refractive indех elements in the light path, all of which adds up to some beautifully sharp and distortion free results.

The minimum focus of 23cm also brings foreground details like flowers and sandy patterns up close for landscapes.


  • Excellent sharpness
  • Good in low light
  • Very portable


  • Premium price tag
  • Max aperture not constant

Read more on the Panasonic 8-18mm f/2.8-4 ASPH Vario. lens

Best Olympus landscape lens: Olympus M.Zuiko Digital ED 7-14mm f/2.8 PRO 

Olympus M.Zuiko Digital ED 7-14mm f/2.8 PRO. Photo credit: AP

At a glance:

  • Construction: 14 elements, 11 groups
  • Weight: 534g
  • Mount: Micro Four Thirds
  • Street price: £1,074 / $1,335

A smart, lightweight evolution of Olympus’s original Four Thirds wide-angle zoom, the ED 7-14mm f/2.8 PRO is a slip of a thing in comparison. At 534g and 78.9×105.8, it’s larger than some options, but still highly portable, with the benefit of a fast f/2.8 aperture setting throughout, which makes a great choice for nightscapes.

The lens delivers splendid sharpness from its 14 element, 11 group construction, and its seven bladed aperture gives beautiful sunstars.

Weatherproofed, though with a protruding front element that needs a bit of caution in use, and an adapter to mount filters, one of this lens’s trump cards is its incredible minimum fосuѕing dіѕtаnсе of just 20сm from giving some superbly exaggerated foregrounds.


  • Excellent sharpness
  • Seven-blade aperture
  • Constant f/2.8


  • Vulnerable protruding front element
  • Sharpness suffers in corners

Read our full review of the Olympus M.Zuiko Digital ED 7-14mm f/2.8 PRO lens

Best mirrorless APS-C landscape lens: Tamron 11-20mm f/2.8 Di III-A RXD

Tamron 11-20mm f/2.8 Di III-A RXD. Photo credit: Tamron/AP

At a glance:

  • Construction: 12 elements, 10 groups
  • Weight: 335g
  • Mounts: Sony E, Fujifilm X
  • Street price: £799 / $993

A premium lightweight wide-angle zoom designed for Sony E-Mount APS-C mirrorless cameras, and more recently made available for Fujifilm X, the Tamron 11-20mm f/2.8 Di III-A RXD offers a great mix of image quality image, portability and performance.

The constant f/2.8 keeps settings consistent throughout the zoom and is great for low-light work, while the lens uses two glass moulded aspherical elements, as well as one extra-low dispersion and two low dispersion elements for edge-to-edge sharpness.

Despite all this – and being weather sealed – it’s only 335g in weight while measuring 72х86.2mm. And for those who want closeups, there’s an impressive minimum focus of just 15cm at 11mm giving a magnification of 0.25x.


  • Very light and weather sealed
  • Does well in low light
  • Close focusing distance


  • No stabilisation
  • Pricey for third party

Read the full spec of the Tamron 11-20mm f/2.8 Di III-A RXD

How to choose the best lens for landscape photography

Wide-angle zooms come in all shapes, sizes and prices, so it can be difficult to know which to choose. What’s also often important to landscapers is a combination of light weight, ease of use, and image sharpness. Light weight because you don’t want to lug it about, ease of use because you may be wearing gloves (a good control ring is your friend here), and image sharpness because you’ll often be stopping down to capture as much detail as possible.

It’s also worth looking out for weather sealing, so that a little rain doesn’t put a premature end to your whole shoot. Also, pay attention to the filter compatibility. Many ultra-wide lenses can’t take front-mounted filters at all because of their bulbous front element, while others will require ones with a sizeable filter thread. Filters can be hugely important in landscape work, so it’s worth thinking about the filter setup when you buy a lens. Check out our guide to the best filters for landscape photography to get an idea of the kinds you might use.

Wide-angle zooms don’t always have the widest maximum apertures, which generally isn’t a problem as you’ll likely be working at narrower apertures for landscapes anyway. However, if you’re prepared to pay extra, you can get large-aperture wide-angle zooms for working in low light. There are also a few features you probably don’t need to worry about, like image stabilisation, as landscape photographers tend to work on tripods.

Other uses for wide-angle zooms

While wide-angle zooms are often chiefly associated with landscape photography, they have plenty of other uses that can make them a worthy addition to a kit bag. Below are a few of the other key applications for wide-angle zooms.

Real estate photography

When photographing real estate, you need to be able to fit a lot into the frame. You want to be able to capture a room in its entirety, whether that room is extremely cramped or quite spacious. A wide-angle zoom will allow you to easily move between both scenarios and capture high-quality images of a property, both interior and exterior. The high optical quality and low distortion of rectilinear wide zooms also mean you should be able to capture relatively naturalistic images that don’t provide a misleading picture of a room’s actual proportions. It may seem like an expensive outlay for real estate photography – but if you’re going to be photographing property regularly, it’s one worth making.

Weddings / event photography

A good wide-angle zoom can be a lifesaver at a wedding. They’re hugely useful for those all-important group shots, meaning you can make sure you get every guest into the picture. For more general use, they’re a good way to create pictures that convey a sense of the scale of the event, cramming lots of guests into the frame to emphasise how many people are attending. Similarly, they work well for general events photography – and while a prime can do a similar job, a zoom will make you much more versatile on your feet.


Wide-angles are terrific for architecture, whether you’re shooting interiors or exteriors of buildings. A good wide-angle will allow you to fit the entirety of a large building in the frame even when you’re relatively close, while also being handy if you’re shooting in a cramped room. Again, the rectilinear zoom should help to produce a reasonably naturalistic image that doesn’t require too much correction in software.


As well as allowing you to capture magnificent wide vistas of the night sky, wide-angle zooms have another quite specific use when it comes to astrophotography. The wider focal length means you can use longer shutter speeds before the stars start to trail as they move across the sky. Many astrophotographers use what’s called the ‘500 rule’, which states that the maximum shutter speed you can use before stars start to trail is 500 divided by your lens’ focal length. So, a 50mm lens would allow for a maximum shutter speed of 10 seconds. If, however, you’re using the Canon EF 11-24mm at its widest focal length of 11mm, the 500 rule would allow for a maximum shutter speed of 45 seconds, which is a significant advantage. There’s more to it of course (see our guide to the best lenses for astrophotography), but as a general rule, wider lenses will give you an easier ride when it comes to astrophotography.

Text by Kingsley Singleton, with contributions from Jon Stapley & Michael Topham

Once you’ve found the best lens for your landscape photography, have a look at more guides in the latest buying advice.

Further reading

Best cameras for landscape photography

Top filters for landscape photography

Tripods for landscape photography

The top 20 best landscape photographs

Complete guide to landscape photography

Follow AP on Facebook, Twitter, Instagram, and YouTube.