April 17, 2024
Huion Kamvas Pro 16 2.5K Pen Display Review
Retouching images is very much easier when you have a 2.5K pen display monitor to do it on, says Damien Demolder. The Huion Kamvas Pro 16 2.5K offers low cost entry to that colourful world
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April 17, 2024
Retouching images is very much easier when you have a 2.5K pen display monitor to do it on, says Damien Demolder. The Huion Kamvas Pro 16 2.5K offers low cost entry to that colourful world
March 28, 2024
As the price of LED lighting comes tumbling down, heads like the Colbor CL220R bring full RBG colour control well within reach of the enthusiast, says Damien Demolder
March 22, 2024
Sigma’s latest I Series lens offers a super wide angle of view in a small and lightweight package, says Damien Demolder
March 21, 2024
Sigma combines super-wide, super-fast and super-featured to offer night-sky enthusiasts lower ISO settings and plenty of control, says Damien Demolder
February 13, 2024
Make sure you get the best possible results for your money with our guide to choosing between cine and stills lenses for video
January 3, 2024
Nanlite’s Compac series of flat LED panels offer a large, diffused light without the bulk of a softbox. Damien Demolder tests the 100B
December 21, 2023
The new Sigma 70-200mm F2.8 DG DN OS offers L and E mount users excellent image quality, great handling, and a gigantic discount over the price of the camera-branded models, says Damien Demolder
October 26, 2023
Content Credentials might come to stop malicious fakes, says Damien Demolder, but only if the system is widely adopted
October 16, 2023
A 7-inch HDMI monitor that gives you fast access to key camera features and ideal not just for video but stills too, Damien Demolder tests the Atomos Shinobi 7.
August 15, 2023
Damien Demolder talks to street photographer, Alan Schaller, who says finding a recognisable style is critical for getting noticed
July 7, 2023
Street photography would be more popular if people felt more informed about the legal side, reckons Damien Demolder. He updates us, and considers street photography’s future