June 21, 2012
Flights of Fancy Pinhole Photography Kit
Interest in pinhole photography has been rekindled in recent years with a growing band of devotees. Rob Sibley tries out a pinhole starter kit.
Advertisement
abbierusson
-
-
May 5, 2012
Pentax K-01 review
The Pentax K-01 combines unusual looks with a tried-and-tested 16.28-million-pixel sensor that is capable of excellent results. We find out how much difference the unique design makes in our Pentax K-01 review
-
April 28, 2012
Nikon D800 review
With a high-resolution, 36.3-million-pixel sensor that virtually matches those of medium-format models, the Nikon D800 may just have raised the bar for full-frame cameras. Read our Nikon D800 review...
-
April 7, 2012
Olympus OM-D E-M5 review
The OM-D E-M5 is Olympus’s most highly specified four thirds camera to date, and its most attractive, but is its performance good enough to provide a lasting legacy?
-
March 19, 2012
Photo Insight with Andrew Sanderson – Bucking Horse
Andrew Sanderson talks about the process he used to create his dreamlike image of a bucking horse and how a simple pencil can add another dimension to your prints
-
January 10, 2012
View from the Window at Le Gras by Joseph Nicéphore Niépce – Iconic Photograph
The world’s ‘first photograph’ by Joseph Nicéphore Niépce was lost for decades but is now regarded as a unique historical treasure, writes David Clark
-
December 17, 2011
Ricoh GR Digital IV review
From film to digital, Ricoh’s GR series of cameras has been highly regarded by enthusiast photographers. We find out how the latest 10-million-pixel model and its AF system compares
-
December 10, 2011
Fujifilm FinePix X10 review
Fujifilm enters the high-end compact camera market with its premium FinePix X10, a model that makes the style and class of the company’s X-series more affordable
-
November 16, 2011
Macro Still Life Masterclass with Paul Hobson
Wildlife photographer Paul Hobson and three AP readers explore the possibilities of studio-based macro still life and show how the simplest of lighting set-ups can produce creative results. Oliver Atwell joins them
