The results of the first round of our prestigious International Amateur Photographer of the Year 2026 competition are in! Susan Hall has won the top place in the Street category with the photograph ‘Street Food’, of a couple sharing a meal in Marrakesh, Morocco. Meanwhile, Henry Salter, came first place in the Young APOY competition with ‘Lost in Thought’. Here are the top 10 images uploaded to Photocrowd from Round One, Street, with comments by the AP team and our guest judge…
Street photography is one of the most accessible yet challenging genres. Its ingredients can be found everywhere and in the everyday on street corners, in cafés and bars, at bus stops, railway stations and shopping malls. The challenge is to anticipate and capture moments before they disappear. Observation, patience and timing combine to produce successful images of a tender human interaction, witty encounter or striking arrangement of colour and shape.
This round’s top ten suggests there is no single formula for success, which is what makes it so compelling. They may be very different images but they are united in the photographers’ skill to see beyond the ordinary and transform everyday scenes into something memorable and magical.
Street Food by Susan Hall: International Amateur Photographer of the Year, Street category winner
Canon EOS R5, 24-105mm at 88mm, 1/640sec, f/6.3, ISO 100
This image of a couple enjoying a meal in the Jemaa el-Fnaa square and market quarter of Marrakesh, Morocco, succeeds through its atmosphere and intimacy. The judges applauded the connection between the two figures, whose isolation within a pool of swirling smoke creates a distinctly cinematic quality. It is a complex environment, but Susan has maintained her composure and taken control of the composition. The eye settles naturally on the table, the diagonal shadows in the foreground add depth and guidance. The monochrome treatment suits the mood, emphasising contrast and texture without overdoing it. A beautifully observed and richly detailed moment that rewards repeated viewing.
2. Let me help you with that by David Travis
Olympus E-M5 Mark II, 17mm, 1/125sec, f/4, ISO 200
The clever interplay of scale in David’s image captivated the judges. The visual conversation between artwork and reality is effective, encouraging the viewer to look closer beyond the dominating mural. David’s awareness and positioning are excellent as the two figures align transforming what could be an ok photograph into an exceptional one. The choice of black and white enhances the graphic qualities, shapes and textures that colour may have distracted from. The wry sense of humour emerges gently. Street photography often relies on a split-second gesture or visual joke, but this one has earned impact through careful patience and observation. A well-spotted scene combined with imaginative storytelling.
3. Trunk Call by Richard Coulstock
Leica M (Typ 240), Summilux-M 1:1.4/35 ASPH, 1/350sec, f/9.5, ISO 2000
Guest judge Dawn Eagleton says: One of my favourite entries from this year’s competition, this clever photograph immediately captures attention through its strong symmetry and the visual illusion of a seemingly headless man. Its precise composition and humorous observation demonstrate a photographer with a keen eye for detail. With closer inspection, the image continues to reward the viewer. A serendipitous colour palette of red, white, blue and black creates a strong sense of visual cohesion.
The gentleman’s clothing appears remarkably coordinated with his surroundings, even down to the red carrier bag he is holding. Repeated horizontal and vertical lines provide structure and rhythm, naturally guiding the viewer through the frame while reinforcing its sense of order and balance. His patterned shirt echoes these graphic elements, further enhancing the visual unity of the image. This photograph is a standout success, brilliantly combining humour, striking graphic impact, harmonious colour, and exceptional observational skill. It is both technically accomplished and playfully inventive, making it particularly memorable.
4. Arms Length by David Davies
Panasonic DMC-LX100, 28.2mm, 1/320sec, f/5.6, ISO 200
The playful interaction of mannequin and man tickled the judges. David recognised the potential for a shot and showed admirable patience, waiting for around 30 minutes for the elements to align perfectly. The absence of colour helps simplify the composition, allowing the gesture, body language and form to punch through. The architectural framing, reflections and urban atmosphere strengthen the image. Overall, David’s image raises a sophisticated smile. A fine example of how everyday encounters can combine to make a memorable street photo.
5. Camel Seller by Yasser Alaa Mobarak
Nikon Z 5, 24-70mm at 64mm, 1/80sec, f/4, ISO 2000
This image is drenched in atmosphere. The judges were immediately drawn into its evocative world. Layers of activity gradually emerge from the haze. The camel seller in traditional dress provides an anchor within the composition. The passing camel introduces an element of narrative intrigue. The beautifully muted colour reinforces the mood and unifies the frame’s elements. It feels contemporary and timeless. The viewer is transported to an unfamiliar environment and encouraged to linger. There’s a rich sense of place, yet Yasser’s presence reamins unobtrusive. A perfect example of how atmosphere can be just as important as action in a compelling street photograph.
6. Two worlds collide by Justine Gordon
Leica Q3 43, 43mm, 1/1000sec, f/4, ISO 800
This carefully composed image and subtle storytelling by Justine impressed the judges. The surrounding architecture and street props creates a stage for the two protagonists. The warm tones of the building contrast beautifully with the vivid reds that punctuate the frame. A controlled use of negative space and geometric lines reinforces the feeling of isolation. It’s a deceptively simple image that has required considerable thought and organisation. Every element plays a role. The photograph invites questions about what is happening without offering an obvious answer. As Justine suggests, ‘The street famous for fine tailoring reveals the stark contrasts stitched into London life.’
7. Alone Together by Pete Baker
Canon EOS 80D, 30mm, 1/15sec, f/8, ISO 400
Pete brings together architecture and human presence in this dramatic black and white photograph. The judges particularly appreciated the symmetry created by the arches. Beneath this strong structural framework, Pete has observed a collection of scattered figures united within the same space yet absorbed in their own activities and thoughts. There is a pleasing rhythm to the composition that conveys a calm sense of urban life. What could have been a simple study of architecture is elevated by careful timing into a photograph with genuine human interest.
8. Delicate fast walk of a Japanese Lady by Jon Morris
Data not supplied
The embrace of movement and abstraction in Jon’s image captivated the judges. The decision not to freeze a decisive moment brings a dreamlike creativity to the street scene. The soft pink tones and blurred figure create an image that prioritises mood over straightforward documentation. The composition demonstrates confidence, reducing the scene to its essential elements. The colour palette becomes almost painterly, helping unify the frame and reinforce the image’s gentle quality. An atmospheric and contemporary street photograph that engages on an emotional level while remaining visually striking.
9. An appropriate hat by Janet Miles
OM System OM-1 Mark II, 8-25mm at 16mm, f/4, 1/200sec, ISO 2500
The strong graphic quality of this carefully constructed photograph was appreciated by the judges. Colour, geometry and timing have combined to command attention. Janet has cleverly positioned the figure within the scene, providing both scale and a point of reference. With so many vertical and horizontal lines, the composition could easily have become chaotic. Instead, Janet has successfully balanced order and spontaneity. The primary colours give the eyes a welcome jiggle. It is a striking example how strong design can transform an everyday urban setting.
10. Both by Neil Johansson
Canon PowerShot G5 X Mark II, at 12.74mm, 1/160sec, f/5, ISO 500
The judges enjoyed the simplicity and gentle wit of Neil’s image. It captures a detail that many would walk past. The elements combine to create an intriguing visual puzzle, encouraging the viewer to take a closer look. Selecting a small section of the street, Neil has distilled the photo to its bare essentials. Shape, texture and timing become the subject. The monochrome treatment enhances the graphic quality of the reflection and unifies the water, paint and tarmac. This is a clever example of how an observant eye can uncover unexpected moments hidden in plain sight.
Lost in thought by Henry Salter: Young International Amateur Photographer of the Year, Street category winner
Sony DSC-RX100M7, ISO 400
The judges were drawn to this beautifully observed scene and its cinematic quality. The solitary figure is perfectly framed within a composition of strong lines, patterns and crisp light. The subject’s clothing complements the décor, creating a pleasing sense of visual harmony. A strong atmosphere permeates the image, drawing the viewer into the scene. Simple yet thoughtful, the photograph demonstrates an excellent awareness of timing, light and composition.
2. The March and the Mimics by Neel Anil
Sony ILCE-6600, E 18-135mm F3.5-5.6 OSS at 135mm, 1/250sec, f/5.6, ISO 125
Neel was rewarded for recognising this unexpected visual relationship. The judges admired the contrast between the disciplined formation of the marching guards and the relaxed group seated on the bench. The two young children wear matching outfits of their own, mirroring the guards in a playful and amusing way. This is an image that cannot fail to raise a smile, with every element contributing to the story. Careful framing and excellent timing have combined to create a photograph to be proud of.
3. Her by Ankit Ghosh
Fujifilm X-T30, XF18-55mmF2.8-4 R LM OIS at 18mm, 1/5000sec, f/8, ISO 6400
This dramatic monochrome image caught the judges’ attention through its effective use of silhouette, atmosphere and light. Clouds of smoke create a compelling sense of mystery, with just enough detail visible to provide context. The judges admired Ankit’s confidence in getting close, shooting from a low angle and fully embracing the contrast. A bold and imaginative photograph that demonstrates a strong understanding of the expressive possibilities of monochrome photography.
4. Dominoes by Zakaria Yahia
Data not supplied
The unusual viewpoint and strong graphic qualities impressed the judges. What is a familiar scene has been transformed by Zakaria into and intriguing arrangement of shapes, line and gestures. The viewer is encouraged to discover new details. There’s a strong documentary element at play, capturing a shared social activity in an authentic and unforced way. A creative approach to an everyday moment.
Camera club competition
Each round, we shine a spotlight on a selection of excellent entries from the many camera clubs that enter APOY
Between Light and Shadows by Andrew Knight, Plymouth Camera Club
Sony ILCE-7M5, 17-28mm at 17mm, 1/160sec, f/5, ISO4000
The swirling patterns and carefully placed figures combine to give this monochrome image both intrigue and visual impact.
No Cars Today by John Ellacott, Launceston Camera Club
OM System OM-1 Mark II, 12-40mm at 13mm, 1/320sec, f/9, ISO100
Pictures within pictures create a richly layered composition, with so much going on yet a strong sense of joy and harmony throughout.
In the Crowd by Paul Mee, Loughton Camera Club
Fujifilm X-Pro1, 35mm, 1/125sec, f/2.8, ISO200
Paul has captured the tension of a face emerging from the crowd at York Christmas Market.
Chefs in Chinatown by Graeme Youngson, Visions Photo Club
Fujifilm X-Pro3, 50mm, 1/250sec, f/1, ISO400
The image conveys a palpable sense of heat and exertion. The darkened faces add weight and drama to the scene.
Man’s Best Friends by Brian Dicks, Stafford Photographic Society
Canon EOS 7D, 18-270mm at 39mm, 1/400sec, f/4.5, ISO100
Great texture and drama are captured by Brian. The brightly coloured dog lead adds a welcome visual lift to the image.
The 2026 leaderboards
After months of planning, preparation and image-making, the first points of APOY 2026 are on the board. It is of course far too early to predict who will be lifting the trophies at the end of the year, but Round One offers the first glimpse of potential contenders. With nine rounds still to come, there is everything to play for, however.
The same applies to Young APOY, where a talented group of emerging photographers have already begun to make their mark.
Meanwhile Leek Photographic Club have made a strong start. Can they keep up the momentum?
Winning kit
2nd placed David Travis trusted his Olympus OM-D E-M5 Mark II on the street. Fantastic for shooting creative, high quality photos and sophisticated videos. You can create 40-megapixel images with breathtaking levels of detail. This is helped by the powerful 5-axis image stabilisation technology, which eliminates camera-shake in all five planes of movement, achieving the equivalent of 5 EV steps faster shutter speed. This is built into the camera body itself, so will work when attaching any lens. Used models are available from Park Cameras for around £354.
5th placed Yasser Alaa Mobarak used a Nikon Z 24-70mm f/2.8 S Zoom Lens. Designed for Z Mount Nikon mirrorless, the Nikkor Z 24-70mm f/2.8 S is a bright aperture standard zoom workhorse lens suitable for a variety of styles with its optical design and two stepping motors. Available from Park Cameras for £1,529.
In 9th place, Janet Miles used an OM-System M.Zuiko Digital ED 8-25mm f/4 PRO Lens. A versatile and compact, lightweight, portable lens extending ultra wide to standard zoom lens for MFT cameras with an equivalent range of 16-50mm (full-frame) available for £949.
To see the full range, visit www.parkcameras.com
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